Abilio Estévez

Abir Mukherjee is the bestselling author of the award-winning Wyndham &amp; Banerjee series of crime novels set in 1920s India and the British Book Awards Crime Thriller of the Year 2025 Hunted. His books have been translated into sixteen languages and won various awards including the CWA Dagger for best Historical Novel, the Prix du Polar Européen, and the Wilbur Smith Award for Adventure Writing. 
 
 
He also co-hosts the popular Red Hot Chilli Writers podcast which takes a wry look at the world of books, writing, and the creative arts, tackling everything from bestsellers to pop culture. Abir grew up in Scotland and now lives in Surrey with his wife and two sons. 
 
 
Website: abirmukherjee.com Twitter, Threads &amp; Instagram: @radiomukhers Facebook: AuthorAbir

Abir Mukherjee

Abolqasem Ferdowsi

Abraham Lincoln

Abraham L. Newman is a professor at the School of Foreign Service and Government Department at Georgetown University. He is a 2022-2023 Berlin Prize winner and his work has been published in leading outlets like The New York Times, The Financial Times, The Washington Post, Nature, Science, Foreign Affairs, Foreign Policy, Harvard Business Review, and Politico.

Abraham Newman

Abraham Verghese

Absolut Vodka

Ad Putter

Ada Moncrieff is the author of Murder Most Festive, Murder at the Theatre Royale and Murder at Maybridge Castle. She lives and works in London.

Ada Moncrieff

Adam Aleksic is a linguist and content creator posting educational videos as the “Etymology Nerd” to an audience of over two million. As a linguistics student at Harvard College, he founded and served as president of the Harvard Undergraduate Linguistics Society. He’s discussed online language on NPR, repeatedly contributed to The Washington Post, and his work has been mentioned in The New York Times, The Economist, and The Guardian. He’s lectured on language and social media at Stanford, Yale, Georgetown, and other top universities, including a TEDx talk at the University of Pennsylvania. Adam is based in New York City, where he spends a lot of time scrolling TikTok for “research.”

Adam Aleksic

Adam Alter is an Associate Professor at New York University's Stern School of Business, and holds an affiliated appointment within the Psychology Department. He is the author of the New York Times bestseller Drunk Tank Pink: And Other Unexpected Forces That Shape How We Think, Feel and Behave and has written for The New York Times, New Yorker, Atlantic, Wired, Popular Science and numerous other publications.

Adam Alter

Professor Adam Balen is lead clinician at one of the UK's largest and most successful IVF units at Leeds Teaching Hospitals NHS Trust. In recognition of his research on fertility and related conditions, he holds a DSc (the highest academic degree in medicine) from the University of Leeds. Adam is internationally renowned, holding roles with the World Health Organisation (WHO), the International Federation of Gyneacology and Obstetrics (FIGO) and the Royal College of Obstetricians and Gyneacologists (RCOG). He runs both NHS and private fertility clinics so he understands the issues that arise from both sides and he works closely with fertility patient support organisations across the UK. Adam regularly features in the media on all aspects of reproductive health and lectures widely throughout the world.

Adam Balen

Adam Baron

Adam Bornstein

Adam Brookes grew up in the UK and was a journalist with BBC News for many years. As a foreign correspondent he was based in Indonesia, China and the United States. Along the way he reported from many other countries, including Iraq, Afghanistan and North Korea. He lives in Washington DC.

Adam Brookes

Adam Buxton

Adam Christopher is the New York Times bestselling author of Star Wars: Shadow of the Sith and Stranger Things: Darkness on the Edge of Town. He has also written official tie-in novels for the hit CBS television show Elementary and the award-winning Dishonored video game franchise. Co-creator of the twenty-first-century incarnation of Archie Comics superhero The Shield, Adam has also written for the universes of Doctor Who and World of Warcraft, and is a contributor to the internationally bestselling Star Wars: From a Certain Point of View anniversary anthology series and the all-ages Star Wars Adventures comic. Adam’s original novels include Made to Kill and The Burning Dark, among many others, and his debut novel Empire State was both a SciFi Now and Financial Times book of the year.

Adam Christopher

Adam Foulds's most recent books are In the Wolf’s Mouth, The Quickening Maze, which was shortlisted for the Man Booker Prize and won the Encore Award and the European Union Prize for Literature, and The Broken Word, which won the Costa Poetry Award and the Somerset Maugham Award. He has recently been awarded the E.M. Forster Award by the American Academy of Arts and Letters and named as one of Granta’s ‘Best of Young British Novelists’.

Adam Foulds

Dr Adam Fox is a highly qualified and respected allergy specialist and consultant paediatric allergist and clinical lead for Allergy at Guy's &amp; St Thomas' Hospitals. The Times recently named him as one of Britain's top 100 children’s doctors. 
 
www.allergyfreebabyandtoddler.com

Adam Fox

Adam Frost

Adam Galinsky is currently the Morris and Alice Kaplan Professor of Ethics and Decision in Management at the Kellogg School of Management at Northwestern University. He received his PhD from Princeton University in Social Psychology and his B.A. from Harvard University.

Adam Galinsky

Adam Glasser

Adam Goodfellow

Adam Goodwin

Adam Grant is an organizational psychologist at Wharton, where he has been the top-rated professor for seven straight years. His books have sold millions of copies, his TED talks have been viewed more than 30 million times, and he hosts the hit podcast Re:Thinking. His pioneering research on motivation and meaning has enabled people to reach their aspirations and exceed others' expectations. His viral piece on languishing was the most-read New York Times article of 2021 and the most-saved article across platforms. He has been recognized as one of the world's ten most influential management thinkers and Fortune's 40 Under 40, and has received distinguished scientific achievement awards from the American Psychological Association and the National Science Foundation. Grant received his B.A. from Harvard University and his Ph.D. from the University of Michigan, and he is a former Junior Olympic springboard diver. He lives in Philadelphia with his wife and their three children.

Adam Grant

Adam and Charlotte met in Zanzibar while working with Voluntary Services Overseas. Upon their return to the UK, Charlotte completed an MA at Oxford Brookes and started her career in publishing. Adam in the meantime became writer-in-residence at the Roald Dahl Museum and Story Centre before co-founding Storytelling Schools, an international organisation dedicated to training teachers in oracy, literacy and creativity. Adam and Charlotte's first book together was the best-selling and award-winning Spaghetti with the Yeti. Since then, Adam and Charlotte have continued to follow their passion for creating engaging books that inspire interaction and creativity in young readers.

Adam Guillain

ADAM HAMDY is a bestselling author and screenwriter. His most recent novel, The Other Side of Night, was an NPR best book of 2022 and a New York Times best thriller of the year, and has been described as ingenious and deeply moving. He is the author of the Scott Pearce series of modern spy thrillers, Black 13, Red Wolves and White Fire, and the Pendulum trilogy. Keep up to date with his latest books and news at www.adamhamdy.com.

Adam Hamdy

Adam Hart-Davis

Adam Haslett is the author of the story collection You Are Not a Stranger Here and the novels Imagine Me Gone and Union Atlantic. He has twice been a finalist for the Pulitzer Prize and the National Book Award and his books have been translated into over thirty languages. His journalism on culture and politics has appeared in The Financial Times, Esquire, The New Yorker, The Guardian, Der Spiegel, The Nation, and The Atlantic, among others. He lives in New York City.

Adam Haslett

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Raymond Briggs

In his customary pose as the grumpiest of grumpy old men, Raymond Briggs contemplates old age and death… and doesn’t like them much. 
 
Illustrated with Briggs’s inimitable pencil drawings, Time for Lights Out is a collection of short pieces, some funny, some melancholy, some remembering his wife who died young, others about the joy of grandchildren, of walking the dog… He looks back at his schooldays and his time as an evacuee during the war, and remembers his parents and the house in which he grew up. But most, like this one, are about his home in Sussex: 
 
Looking round this house, 
What will they say, 
The future ghosts? 
 
There must have been 
Some barmy old bloke here, 
Long-haired, artsy-fartsy type, 
Did pictures for kiddy books 
Or some such tripe. 
 
You should have seen the stuff 
He stuck up in that attic! 
Snowman this and snowman that, 
Tons and tons of tat.

Time For Lights Out

Sarah Lippett

A moving, often very funny graphic memoir about what it is like to grow up with an illness that no one can diagnose. 
 
 When the headaches started, Sarah Lippett would stand alone on a different side of the playground from the other children. When she started to drag one of her legs, her parents took her to hospital, and so began the visits to many different doctors, each one more bewildered by her illness than the last. Initially schooled at home, when Sarah went back to school she was placed with the struggling kids, and still so often ill, she felt even more alone. 
 
But although Sarah's parents often despaired of the stream of appointments and no cure, they never showed it and she grew up in the midst of a boisterous, loving family and found good friends at last, as well as venturing into bands, art, boys, books and records. Finally, when Sarah turned sixteen, she was admitted to Great Ormond Street Hospital where the doctors diagnosed her with the rare disease, Moyamoya. The book ends with Sarah waking up after brain surgery.

A Puff of Smoke

Sharon Olds

*SHORTLISTED FOR THE 2019 T. S. ELIOT PRIZE* 
 
Following her recent Odes, the Pulitzer Prize-winning poet gives us a new collection of poems that sing of a woman’s intimate life and political conscience. The atom bomb, Breaking Bad, the cervix, Trayvon Martin, her mother’s return from the dead: the peerless Sharon Olds once again takes up subject matter that is both difficult and ordinary, elusive and everywhere. 
 
 Each aria is shaped by its unique melody and moral logic, as Olds stands centre stage to account for her own late romance and chance wisdom, and faces the tragic life of our nation and our planet. ‘I cannot say I did not ask / to be born,’ begins one aria, which considers how, with what actions, with what thirst, we each ask for a turn, and receive our portion on earth. Olds delivers these pieces with all the passion, anguish, and solo force that make a great performance, in the process enlarging the soul of her readers. 
 
 ‘Olds is a supreme poet of the body; I’ll be reading her till I die’ Fiona Benson

Arias

Bryan and Mary Talbot

A stunning new graphic novel and rallying cry to protect the planet, from the Costa-award-winning authors of Dotter of Her Father’s Eyes 
 
Set against the backdrop of disastrous flooding in the North of England, Rain dramatically chronicles the developing relationship between two young women, one of whom is a committed environmental campaigner. Their wild Brontë moorland is being criminally mismanaged. Birds and animals are being slaughtered. Across the country, crops are being systematically poisoned, even the soil itself. Rain centres on one relatively small example of moorland ownership by an elite group that impacts catastrophically on the unlanded majority living in the valley below. But the campaigners know that ‘a million other valleys need saving’. They need saving not just for the sake of their human inhabitants, but for the insects and plants, birds and mammals and all the other inhabitants large and small that we share this planet with – our non-human fellow earthlings. 
 
Rain is the first contemporary graphic novel from Bryan and Mary Talbot, dealing with the here and now of environmental degradation that threatens us all. The story follows the everyday experiences of ordinary people, while engaging with pollution, climate change, moorland mismanagement and the disruption, misery and loss that these things bring. The characters are fictitious; what's happening around them is shockingly real.

Rain

Chris Ware

Discover the long-awaited new book from the author of Jimmy Corrigan, the Smartest Kid on Earth and Building Stories. 
 
 
'The week after I finished the last page of Jimmy Corrigan I immediately started a new long story based on characters who had originated as parodies, but whom now I wanted to humanize... amidst a setting of memories of my Omaha childhood and Nebraska upbringing.' (Chris Ware, Monograph) 
 
Now, twenty years later, Ware is publishing Rusty Brown in book form. It is, he says, 'a fully interactive, full-colour articulation of the time-space interrelationships of six complete consciousnesses on a single Midwestern American day and the tiny piece of human grit about which they involuntarily orbit.' The six characters are Rusty Brown himself, a shy schoolkid obsessed with superheroes, his father 'Woody' Brown, an eccentric teacher at Rusty's school, Chalky White, another schoolboy, Alison White, Chalky's sister, Jason Lint, an older boy who bullies Rusty and Chalky and fancies Alison, and the boys' teacher, Joanne Cole. Ware tells each of their stories in minute detail (or as he puts it, 'From childhood to old age, no frozen plotline is left unthawed'), producing another masterwork of the comics form that is at once achingly beautiful, heartbreakingly sad and painfully funny. 
 
 
'A treasure trove of invention... With its awe-inspiring exploration of regret and ageing, anxiety and ennui... Rusty Brown is a human document of rare richness' Guardian 
 
 'Chris Ware is one of the great writers of our generation...I spent 20 minutes reading the cover of Rusty Brown. Buy it. Buy all his work. Make your life larger.' Mark Haddon, Observer

Rusty Brown

Alice Oswald

**WINNER OF THE LONDON HELLENIC PRIZE 2019** 
 
'Alice Oswald is at the height of her powers in...this electrifying new work' Observer 
 
 This is a book-length poem - a collage of water-stories, taken mostly from the Odyssey - about a minor character, abandoned on a stony island. It is not a translation, though, but a close inspection of the sea that surrounds him. There are several voices in the poem but no proper names, although its presiding spirit is Proteus, the shape-shifting sea-god. We recognise other mythical characters - Helios, Icarus, Alcyone, Philoctetes, Calypso, Clytemnestra, Orpheus, Poseidon, Hermes - who drift in and out of the poem, surfacing briefly before disappearing. 
 
Reading Nobody is like watching the ocean: a destabilising experience that becomes mesmeric, almost hallucinatory, as we slip our earthly moorings and follow the circling shoal of sea voices into a mesh of sound and light and water - fluid, abstract, and moving with the wash of waves. As with all of Alice Oswald's work, this is poetry that is made for the human voice, but this poem takes on the qualities of another element: dense, muscular and liquid. 
 
one person has the character of dust 
 
another has an arrow for a soul 
 
but their sto ries all end 
 
somewhere 
 
in the sea 
 
 'An invigorating book-length poem' Sara Wheeler

Nobody

Joe Sacco

Rafah, a town at the southernmost tip of the Gaza Strip, is a squalid place. Raw concrete buildings front rubbish-strewn alleys. The narrow streets are crowded with young children and unemployed men. Situated on the border with Egypt, swaths of Rafah have been reduced to rubble. Rafah is today and has always been a notorious flashpoint in this most bitter of conflicts. 
 
Buried deep in the archives is one bloody incident, in 1956, that left 111 Palestinian refugees dead, shot by Israeli soldiers. Seemingly a footnote to a long history of killing, that day in Rafah - coldblooded massacre or dreadful mistake - reveals the competing truths that have come to define an intractable war. In a quest to get to the heart of what happened, Joe Sacco arrives in Gaza and, immersing himself in daily life, uncovers Rafah, past and present. Spanning fifty years, moving fluidly between one war and the next, alive with the voices of fugitives and schoolchildren, widows and sheikhs, Footnotes in Gaza captures the essence of a tragedy. 
 
As in Palestine and Safe Area Goražde, Joe Sacco's unique visual journalism has rendered a contested landscape in brilliant, meticulous detail. Footnotes in Gaza, his most ambitious work to date, transforms a critical conflict of our age into intimate and immediate experience.

Footnotes in Gaza

Serena Katt

Serena Katt’s grandfather, whom she knew as Opa, was a ‘Sunday’s Child’, one of the lucky ones for whom everything always went right. Opa left a brief account of his childhood and teenage years, but it is opaque, a story of prizes won and boyish adventures. In Sunday’s Child, Serena Katt interrogates Opa’s version of his life. Was it really so innocent? Did he really not know what the Nazis were doing? He joined the Hitler Youth at the age of ten, swearing an oath of loyalty to the Fuhrer. From then on the games he played were actually military training, designed to produce a ‘new German youth … violent, domineering, unafraid, cruel … which the world will fear’. At seventeen, in the final desperate days of the war, he is called up but his luck holds. He is sent home and thus survives the war. 
 
Sunday’s Child marks the debut of a remarkable graphic novelist. Serena Katt’s book is powerful, eloquent and moving, and her drawing is superb.

Sunday's Child

Adam Thorpe

These remarkable poems are despatches from the edges of experience: from the remote coast of northern Iceland where tree-trunks and dead whales lie beached, to the furthest outposts of the Roman empire in the title poem – ‘From the very limit of the world,/Flavius sends you greetings, my lord.’ The collection is concerned with borders and brinks – the liminal spaces where distinctions blur between outer and inner, known and unknown, between what is familiar and what is other. This is the terrain of the displaced and deracinated but also the shimmering space where all is volatile, mutable, in flux – and it is also, of course, the thin, transparent veil between waking and sleep, between life and death. 
 
Shadowed by mortality, lit by lyrical grace, Words from the Wall includes poems about the killing fields of Agincourt, Flanders, Vietnam and a memorial poem to the victims of the 2015 Bataclan attack where the dead are ‘stations of flame’, and it begins and ends at the boundaries of the Roman territory, at the edge of life: ‘The girls I laughed with once/in the baths’ atrium/are withered and wattle-necked./I love them still…’

Words From the Wall

Margaret Atwood

Renée Nault

Provocative, startling, prophetic, and more relevant than ever, The Handmaid's Tale has become a global phenomenon. Now, in this stunning graphic novel edition of Margaret Atwood's modern classic, the terrifying reality of Gilead is brought to vivid life like never before. 
 
"Everything Handmaids wear is red: the colour of blood, which defines us." Offred is a Handmaid in the Republic of Gilead, where women are prohibited from holding jobs, reading, and forming friendships. She serves in the household of the Commander and his wife, and under the new social order she has only one purpose: once a month, she must lie on her back and pray that the Commander makes her pregnant, ecause in an age of declining births, Offred and the other Handmaids are valued only if they are fertile. But Offred remembers the years before Gilead, when she was an independent woman who had a job, a family, and a name of her own. Now, her memories and her will to survive are acts of rebellion. 
 
The Handmaid's Tale and its iconic images - the red of the Handmaids, the blue of the Wives, the looming Gileadean Eye - have been adapted into a film, an opera, a ballet, and multi-award-winning TV series. This groundbreaking new graphic novel edition, adapted and featuring arresting artwork by Renée Nault, is destined to become a classic in its own right.

The Handmaid's Tale

The Graphic Novel

Guy Delisle

Guy Delisle's work for a French animation studio requires him to oversee production at various Asian studios on the grim frontiers of free trade. His employer puts him up for months at a time in 'cold and soulless' hotel rooms where he suffers the usual deprivations of a man very far from home. After Pyongyang, his book about the strange society that is North Korea, Delisle turned his attention to Shenzhen, the cold, urban city in Southern China that is sealed off with electric fences and armed guards from the rest of the country. The result is another brilliant graphic novel - funny, scary, utterly original and illuminating.

Shenzhen

A Travelogue From China

Fiona Benson

**WINNER OF THE FORWARD PRIZE FOR BEST COLLECTION 2019** 
**WINNER OF THE ROEHAMPTON PRIZE FOR BEST POETRY COLLECTION 2019** 
 
Violence hangs over this book like an electric storm. Beginning with a poem about the teenage dawning of sexuality, Vertigo &amp; Ghost pitches quickly into a long sequence of graphic, stunning pieces about Zeus as a serial rapist, for whom woman are prey and sex is weaponised. These are frank, brilliant, devastating poems of vulnerability and rage, and as Zeus is confronted with aggressions both personal and historical, his house comes crumbling down. A disturbing contemporary world is exposed, in which violent acts against women continue to be perpetrated on a daily – hourly – basis. 
 
The book shifts, in its second half, to an intimate and lyrical document of depression and family life. It sounds out the complex and ambivalent terrain of early motherhood – its anxieties and claustrophobias as well as its gifts of tenderness and love – reclaiming the sanctuary of domestic private life, and the right to raise children in peace and safety. 
 
Vertigo &amp; Ghost is an important, necessary book, hugely impressive in its range and risk, and dramatic in its currency: a collection that speaks out with clarity, grace and bravery against the abuse of power. 
 
**SHORTLISTED FOR THE 2020 RATHBONES FOLIO PRIZE** 
**SHORTLISTED FOR THE 2019 T. S. ELIOT PRIZE** 
 
 ‘Misogynistic violence, ancient myth and modern rage confront each other in moving and dynamic verse’ Financial Times

Vertigo & Ghost

Ann Wroe

**LONGLISTED FOR THE RATHBONES FOLIO PRIZE 2019** 
**SHORTLISTED FOR THE CATHOLIC HERALD BOOK AWARDS 2019** 
 
A life of St Francis in verse 
 
Throughout her career Ann Wroe has constantly confounded expectations, following her own unique path. Now, in Francis, she turns to verse to tell the life of St Francis of Assisi. This is a sequence only Ann Wroe could write, combining a troubadour's musicality with full grasp of the moment, and a luminous sense of Francis as both myth and man, across history and culture, in nature and community. It is a remarkable and immensely beautiful book. 
 
St Francis was one of the most compelling spirits the world has seen. He was also a poet, a musician and a dancer. His world was coloured by troubadour lays, brightened by birdsong, ordered by the bells and chants of the Church and transfigured by the angel-lyres he heard about him. For Ann Wroe, this seems a good reason to write his life in songs. It is also an excuse to record, in songs, the many ways his presence and his music still linger round us. They surprise us in chance encounters in city streets; they waylay us amid the humdrum banalities of working life; they persist in the beauties of nature. Great spirits never leave us. They echo on and on.

Francis

A Life in Songs

Posy Simmonds

***WINNER OF THE COMEDY WOMEN IN PRINT PRIZE 2020*** 
 
'Simmonds is a copper-bottomed genius... she is as brilliant a writer as Britain has' Jenny Colgan, Mail Online 
 
Cassandra Darke is an art dealer, mean, selfish, solitary by nature, living in Chelsea in a house worth £7 million. 
 
She has become a social pariah, but doesn't much care. Between one Christmas and the next, she has sullied the reputation of a West End gallery and has acquired a conviction for fraud, a suspended sentence and a bank balance drained by lawsuits. On the scale of villainy, fraud seems to Cassandra a rather paltry offence - her own crime involving 'no violence, no weapon, no dead body'. 
 
But in Cassandra's basement, her young ex-lodger, Nicki, has left a surprise, something which implies at least violence and probably a body . . . Something which forces Cassandra out of her rich enclave and onto the streets. Not those local streets paved with gold and lit with festive glitter, but grimmer, darker places, where she must make the choice between self-sacrifice and running for her life.

Cassandra Darke

Jean Sprackland

Jean Sprackland is celebrated for her tactile, transformative poetry which makes the miraculous seem familiar and the domestic other-worldly. Her new collection is tuned to new and deeper frequencies. ‘Green noise’ is the mid-frequency component of white noise – what some have called the background noise of the world – and these poems listen for what is audible, and available to be known and understood, and what is not. Each poem is an attempt at location – in time, in place, in language. Some enquire into the natural world and our human place in it, by investigating hidden worlds within worlds: oak-apples, aphid-farms, firewood teeming with small life. Others go in search of fragments of a mythic and often brutal past: the lost haunts of childhood, abandoned villages, scraps of shared history which are only ever partially remembered. A physical relic or a mark on the landscape seems briefly to offer a portal, where a sounding is taken from present to past and back again. 
 
Deeply engaged with the flux of the world, these poems are alert, precise and vividly memorable – listening to the ‘machine of spring/with all your levers thrown to max’, ‘hearing the long bones of the trees stretch and crack’.

Green Noise

Anna Mill

Luke Jones

Look – anyone who invents something really great has a moment where they think it's going to destroy the world. 
 
For the first time in her life, Fin is off the network. A few months ago, she was the inventor of a programme so powerful, so unusual that she was untouchable. 
 
Until she wasn't. 
 
Meanwhile, people have started disappearing from the streets of the city and the technology she created might be implicated. 
 
Square Eyes is a graphic novel about a future where the boundaries between memory, dreams and the digital world start to blur. It’s a kaleidoscopic mystery story which asks: in a city built on digital illusion, who really holds the power? What is weakness? And when is it most dangerous?

Square Eyes

Liana Finck

**LONGLISTED FOR THE COMEDY WOMEN IN PRINT PRIZE 2020** 
 
Melancholy and funny, personal and surreal, Passing for Human is a neurological coming-of-age story in which Liana Finck goes in search of that thing she has lost – her shadow, that part of her that has always felt as though she is living in exile from the world. On a quest for self-understanding and self-acceptance, along the way, she seeks to answer some eternal questions: What makes us whole? What parts of ourselves do we hide or ignore or chase away – because they’re embarrassing, or inconvenient – and at what cost? 
 
Part magical odyssey, part feminist creation myth, Passing for Human is most of all an extraordinary, moving meditation on what it means to be an artist and a woman.

Passing for Human

Robert Crawford

One of Scotland’s most celebrated poets, Robert Crawford has long been a passionate and articulate ambassador for his country and its culture, its people and its landscape. The Scottish Ambassador fuses individual and communal voices in poems that resonate far beyond their points of origin. Engaging with Zoroastrian, Chinese and Greek as well as with Scottish antecedents, Crawford’s poems have an arresting range and a lyrical energy. He negotiates with intensity and wit between a deep sense of human universals and a heartfelt fidelity to individual places. Ranging from Jerusalem to Iona, New York City to Shetland, this is a collection of international range that continually zeroes in on the particular – and the particularly Scottish. At the book’s centre is a series of intimate, funny, eloquent portraits of cities which are at once remarkable public poems and outpourings of love.

The Scottish Ambassador

Tim Willocks

**SHORTLISTED FOR THE CWA IAN FLEMING STEEL DAGGER 2019** 
**LONGLISTED FOR THE GOLDSBORO BOOKS GLASS BELL AWARD 2019** 
 
What happens when a man of absolute integrity finds himself trapped in a world of absolute corruption? 
 
During a weekend spree in Cape Town a young, rich Afrikaner fatally injures a teenage street girl with his Range Rover but is too drunk to know that he has hit her. His companions – who do know – leave the girl to die. 
 
The driver’s mother, a self-made mining magnate called Margot Le Roux, intends to keep her son in ignorance of his crime. Why should his life be ruined for a nameless girl who was already terminally ill? No one will care and the law is cheap. But by chance the case falls to the relentless Warrant Officer Turner of Cape Town homicide. 
 
When Turner travels to the remote mining town that Margot owns – including the local police and private security force – he finds her determined to protect her son at any cost. As the battle of wills escalates, and the moral contradictions multiply, Turner won’t be bought and won’t be bullied, and when they try to bury him he rediscovers, during a desperate odyssey to the very brink of death, a long-forgotten truth about himself... 
 
By the time Willocks's tale is finished, fourteen men have died. He shows once again that he is the laureate of the violent thriller.

Memo From Turner

Zachary Mason

In the tradition of Zachary Mason’s bestselling first novel, The Lost Books of the Odyssey – where he recast episodes from Homer’s masterpiece – Metamorphica now reimagines Ovid’s epic poem of endless transformation, Metamorphoses. Just as the Roman poet reinvigorated the Greek Classical legends 700 years after Homer, so Mason now gives us a radical and exciting renovation of those myths, 2,000 years after Ovid. 
 
It retells the great stories of Narcissus, Orpheus, Persephone, Icarus, Midas, Medea and Actaeon, and strings them together like the stars in constellations – with even Ovid himself entering the narrative. It’s as though the ancient mythologies had been rewritten by Borges or Calvino – or artificial intelligence – and brought glimmering back into our world. Metamorphica re-engages with the elemental power of the ancient shape-changing gods by keeping their essences while rewriting their stories. It is this extraordinary narrative approach that is so thrilling; we watch as the author extracts more and more out of the original legend – adding infinite perspectives to narratives we thought we knew. Mason understands that the great myths are parables – always in flux, always relevant – always throwing shards of light from the morning of the world.

Metamorphica

Andrew McMillan

**WINNER OF THE POLARI PRIZE 2019** 
 
‘Vivid, accessible and honest, sometimes uncomfortably so’ Alan Bennett, London Review of Books 
 
In these intimate, sometimes painfully frank poems, Andrew McMillan takes us back to childhood and early adolescence to explore the different ways we grow into our sexual selves and our adult identities. Examining our teenage rites of passage: those dilemmas and traumas that shape us – eating disorders, masturbation, loss of virginity – the poet examines how we use bodies, both our own and other people’s, to chart our progress towards selfhood. 
 
McMillan’s award-winning debut collection, physical, was praised for a poetry that was tight and powerful, raw and tender, and playtime expands that narrative frame and widens the gaze. Alongside poems in praise of the naivety of youth, there are those that explore the troubling intersections of violence, masculinity, class and sexuality, always taking the reader with them towards a better understanding of our own physicality. ‘isn’t this what human kind was made for’, McMillan asks in one poem, ‘telling stories learning where the skin/is most in need of touch’. These humane and vital poems are confessions, both in the spiritual and personal sense; they tell us stories that some of us, perhaps, have never found the courage to read before.

playtime

‘The blessing of an inherently interpretive medium like comics is that it hasn't allowed me to . . . make a virtue of dispassion. For good or for ill, the comics medium is adamant, and it has forced me to make choices. In my view, that is part of its message’ – from the preface by Joe Sacco 
 
Over the past decade, Joe Sacco has increasingly turned to short-form com­ics journalism to report from conflict zones around the world. Collected here for the first time, Sacco's darkly funny, revealing reportage confirms his standing as one of the foremost international correspondents working today. 
 
Journalism takes readers from the smuggling tunnels of Gaza to war crimes trials in The Hague, from the lives of India's 'untouchables' to the ordeal of sub-Saharan refugees washed up on the shores of Malta. Sacco also confronts the misery and absurdity of the war in Iraq, including the darkest chapter in recent American history – the torture of detainees. 
 
Vividly depicting Sacco's own interactions with the people he meets, the stories in this remarkable collection argue for the essential truth in comics reportage, an inevitably subjective journalistic endeavour. Among Sacco's most mature and accomplished work, Journalism demonstrates the power of a great comics artist to chronicle lived experience with a force that often eludes other media.

Journalism

J. O. Morgan

**WINNER OF THE COSTA POETRY AWARD 2018** 
**SHORTLISTED FOR THE 2018 FORWARD PRIZE FOR BEST COLLECTION** 
 
A war-poem both historic and frighteningly topical, Assurances begins in the 1950s during a period of vigilance and dread in the middle of the Cold War: the long stand-off between nuclear powers, where the only defence was the threat of mutually assured destruction. 
 
Using a mix of versed and unversed passages, Morgan places moments of calm reflection alongside the tensions inherent in guarding against such a permanent threat. A work of variations and possibilities, we hear the thoughts of those involved who are trying to understand and justify their roles. We examine the lives of civilians who are not aware of the impending danger, as well as those who are. We listen to the whirring minds of machines; to the voice of the bomb itself. We spy on enemy agents: always there, always somewhere close at hand. 
 
Assurances is an intimate, dramatic work for many voices: lyrical, anxious, fragmentary and terrifying; a poem about the nuclear stalemate, the deterrent that is still in place today: how it works and how it might fail, and what will vanish if it does.

Assurances

Nick Hayes

The Drunken Sailor traces the life of Arthur Rimbaud: poet, surrealist, libertine and gun runner. In dazzling artwork, Nick Hayes follows Rimbaud from his youth in Ardennes to the poetry salons of Paris, from the absinthe-glazed passion of his relationship with Verlaine to his flight into the jungles of Indonesia and the deserts of Yemen and Egypt. Told entirely in Rimbaud’s own words, from a new translation of Le bateau ivre, The Drunken Sailor confirms Nick Hayes’ place as one of the most talented graphic novelists at work today.

The Drunken Sailor

The Life of the Poet Arthur Rimbaud in His Own Words

Sean Borodale

Like his two previous books, Asylum was written live on-site; in this case deep within the caves, mines, quarries, geological and archaeological horizons of the Mendip Hills in Somerset. The poems stage modes of exile in the darkness of earth, enacting solidarity with those others who have made their journey into the underworld – Dante, Orpheus, blinded Oedipus, Euripides. These are semi-dramatic voicings, staged across the thirty-mile theatre of the Mendip subterranean: each an act of recovery, of rescue. Traversing the broken, collapsed, eroded stones, looking for voices that express the damaged and the damned, Asylum pays homage to the darkness of the human cave: its memories and ancient histories, and to its more contemporary signals – internationally owned quarries, abandoned coal mines, decommissioned Cold War bunkers. 
 
As with Bee Journal and Human Work, these poems take on the nature of the experience recorded. Written blind, as it were, the diction here becomes mineral, deeply tactile – hard and granular, alert to sound in its own blackness. Descending underground with the poet is to enter a theatre of heightened senses, and these extraordinary poems feel both unearthed and unearthly.

Asylum

Audrey Niffenegger

Eddie Campbell

Internationally bestselling author Audrey Niffenegger and her husband, graphic artist Eddie Campbell, collaborate on this quirky, irreverent collection that celebrates and satirises love of all kinds. With thirteen different vignettes about love, loss, fairies, misbehaviour, regret, wanton wrongheadedness, cats, supernatural exterminators, spies, ghosts, more cats, more fairies, and a handful of ex-boyfriends, Bizarre Romance runs the gamut when it comes to relationships. It explores the good, the bad, the ugly and the just plain weird – with Niffenegger's sharp, imaginative prose and Campbell's diverse comic styles, always with a sense of humour and cosmic justice.

Bizarre Romance

Catherine Poulain

**SHORTLISTED FOR THE SCOTT MONCRIEFF PRIZE 2019** 
**NOMINATED FOR THE MÉDICIS PRIZE 2018** 
 
'A tale of travel and adventure, the story of a body utterly surrendered to pain and joy. It is mind-blowing, a delight.' Le Monde 
 
Lili is a runaway. She’s left behind her native France to go in search of freedom, of adventure, of life. Her search takes her to Kodiak, Alaska, home to a ragtag community of fishermen, army vets and drifters who man the island’s fishing fleet. Despite her tiny frame, faltering English and lack of experience, Lili lands a job on board the Rebel, the only woman on the boat. 
 
Out on the open sea, everything is heightened: colours are more vivid, sounds are louder and the work is harder than anything she's ever known. The terrifying intensity of the ocean is addictive to the point of danger. But Lili is not alone: in her fellow crewmembers she finds kindred spirits – men living on the edge, drawn to extremes. 
 
Based on Catherine Poulain’s own experiences, and written in taut, muscular prose, Woman at Sea cuts through the noise of life and straight to the heart of our innermost longings.

Woman at Sea

Bryan Talbot

In the middle of a gang war, wanted for murder, truly alone and outside the law, Detective Inspector LeBrock is on the run from both the police and gangster assassins, the victim of a diabolical scheme to annihilate himself and everyone he holds dear, engineered by mastermind crime lord Tiberius Koenig, one of the most despicable villains in the history of detective fiction. 
 
A fiendishly ingenious story of love, tenacity, treachery and tragedy, this fifth, final and longest stand-alone volume of the Eisner and Hugo Award-nominated Grandville series by master storyteller and graphic novel pioneer Bryan Talbot is a veritable rollercoaster of a detective thriller, featuring Grandville’s trademark high-octane excitement, humour and deduction on a Holmesian scale as we finally meet LeBrock’s mentor, Stamford Hawksmoor, and discover LeBrock’s untold backstory. Fan-favourite characters Detective Sergeant Roderick Ratzi and LeBrock’s vivacious fiancée, Parisian prostitute Billie are joined by a new badger in town! Enter Tasso, an Italian badger who’s bigger, meaner and uglier than LeBrock – but is he a force for good or evil? A battle royale ensues as LeBrock fights against truly outrageous odds. How can he possibly survive? 
 
Prepare to be royally badgered!

Grandville Force Majeure

Hamid Sulaiman

‘With the intimacy of a person who has lived the tragedy himself but with the restraint of a true artist, Hamid Sulaiman tells a powerful tale of Syria’s descent into cataclysm while reminding us of those still tending the seeds of the revolutionary spring.’ 
Joe Sacco 
 
Winner of the 2017 PEN Translates Award 
Winner of the 2017 Burgess Grant 
 
It is spring 2012 and 40,000 people have died since the start of the Syrian Arab Spring. In the wake of this, Yasmin has set up a clandestine hospital in the north of the country. The town that she lives in is controlled by Assad’s brutal regime, but is relatively stable. However, as the months pass, the situation becomes increasingly complex and violent. Told in stark, beautiful black-and-white imagery, Freedom Hospital illuminates a complicated situation with gut-wrenching detail and very dark humour. 
 
The story of Syria is one of the most devastating narratives of our age and Freedom Hospital is an important and timely book from a new international talent.

Freedom Hospital

A Syrian Story

Joff Winterhart

Sam is 27 and needs to get a job. Keith, who claims to be a second cousin of his (absent) father, offers him one. On Keith’s card it says he does ‘distribution and delivery’, which seems to consist of ‘a lot of driving around, getting out of the car for a few minutes and then getting back in’, Sam tells his mother. And so the days go by, Keith driving to a trading estate, ducking into a portakabin, all the while telling Sam stories about his first boss, Geoff Crozier, his mentor in distribution and delivery. As the weeks pass, Sam gets to know Keith’s friends, flirty Hazel-Claire from whom they buy two pasties every day at lunchtime, a variety of receptionists, and a few tantalising secrets from Keith’s past… 
 
As in Days of the Bagnold Summer, Joff Winterhart is a master at depicting ordinary life in all its utterly poignant and funny mundanity.

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Tim and Biscuit, two unlikely friends, always seem to get themselves into difficult situations. From their first meeting in Cliffhanger, where bookish Tim is forced to endure an activities camp, to Buried Alive, where a quiet camping holiday turns out to be full of surprises, there is never a dull moment with these two around.Jaqueline Wilson’s hilarious duo of books catalogues their escapades, triumphs and failures, with a good helping of snacks along the way!

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