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A A Gill

Andrew Swanston read law at Cambridge, but was inspired to write by his lifelong interest in early modern history. His Thomas Hill novels – The King’s Spy, The King’s Exile and The King’s Return – are set against the backdrops of the English Civil War, Cromwell’s Commonwealth and the early Restoration respectively. He is also the author of Waterloo: The Bravest Man and Beautiful Star and Other Stories. His first historical thriller set during the reign of Elizabeth I – Incendium (published in paperback as The Incendium Plot) – introduced readers to the academic, lawyer and intelligencer Dr Christopher Radcliff, whose adventures continue in Chaos. Andrew Swanston lives in Surrey.

A D Swanston

A E Langsford

A G Hopkins

A. J. BAIME is the New York Times best-selling author of The Arsenal of Democracy: FDR, Detroit, and an Epic Quest to Arm an America at War and Go Like Hell: Ford, Ferrari, and Their Battle for Speed and Glory at Le Mans. Both books are in development for major motion pictures. Baime is a longtime regular contributor to the Wall Street Journal, and his articles have also appeared in the New York Times, Popular Science, and Men’s Journal. He lives in Granite Bay, California. Visit him at facebook.com/ajbaime and trumanbook.com.

A J Baime

A J Jacobs

A J P Taylor

Anthony James Pollard is a British medieval historian, specialising in the fifteenth century and in particular the Wars of the Roses. A leading authority in the field, he is profesor emeritus of Teesside University. His books include North-Eastern England during the Wars of the Roses, Richard III and the Princes in theTower, Imagining Robin Hood: the Late Medieval Stories in Historical Context and Warwick the kingmaker: Politics, Power and Fame.

A J Pollard

A J Rochester

A K Benjamin is a clinical neuropsychologist and the author of Let Me Not Be Mad: A Story of Unravelling Minds.

A K Benjamin

A. L. Berridge read English at Oxford, and taught for ten years before moving into television, where her production credits range from period drama and thrillers to long-running soaps. She has written two previous novels, Top Ten besteller Honour and the Sword and In the Name of the King. Into the Valley of Death is her third novel.

A L Berridge

Alison Gaylin's first job was as a reporter for a celebrity tabloid, which sparked a lifelong interest in writing about people committing despicable acts. More than a decade later, she wrote and published her Edgar-nominated first novel, HIDE YOUR EYES. 
 
She's since published nine more books, including the USA Today and international bestselling Brenna Spector suspense series, which has been nominated for the Edgar, Anthony and Thriller awards and won the Shamus award. 
 
She lives in upstate New York with her husband, daughter, cat and dog.

A L Gaylin

A Maxwell-Hyslop

A McArthur

A P Wavell

A.S. Webb is the Sunday Times bestselling author of Daughter of Chaos, the first instalment of The Dark Pantheon Trilogy. She is inspired by stories rooted in history and mythology, that push the boundaries of imagination and urge us to reflect on what it means to be human.

A S Webb

A. A. Dhand is the author of six previous novels, and has been shortlisted for the CWA Steel Dagger Award. His DI Harry Virdee novels are currently being adapted for TV by the BBC. He was raised in Bradford and spent his youth observing the city from behind the counter of a small convenience store. After qualifying as a pharmacist, he worked in London and travelled extensively before returning to Bradford to start his own business and begin writing. The history, diversity and darkness of the city have inspired all his novels. For more information about A. A. Dhand and his books, follow him on X @aadhand, and on Instagram @aa_dhand.

A. A. Dhand

A. A. Gill

A. A. Milne

A. Anatoli

A. B. Poranek grew up sharing her time between Ontario, Canada and rural Poland, and eventually completed a veterinary degree at the Warsaw University of Life Sciences. A lover of mythology and history, she enjoys exploring both in her writing. Her debut novel, Where the Dark Stands Still, an instant New York Times bestseller, is an ode to Poland's folktales, while A Treachery of Swans transports readers to a world inspired by 17th century France.

A. B. Poranek

A. Bradley

Professor A. C. Grayling is Principal of the New College of the Humanities at Northeastern University, London, and a Supernumerary Fellow of St Anne's College, Oxford. He has written and edited over thirty books on philosophy, history, science and current affairs. For several years he wrote columns for the Guardian newspaper and The Times and was the chairman of the 2014 Man Booker Prize.

A. C. Grayling

A.D. Miller is the author of Snowdrops, The Earl of Petticoat Lane and The Faithful Couple. Snowdrops was a bestseller and was shortlisted for many prizes including the Man Booker and the CWA Gold Dagger. It was translated into 25 languages. As Moscow Correspondent of The Economist A.D. Miller has travelled across the former Soviet Union and covered the Orange Revolution in Ukraine; he is now the magazine’s Culture Editor based in London. 
 
admillerbooks.com

A. D. Miller

A. E. Ellis

A. E. W. Mason

A. Humphreys

A. Igoni Barrett was born in Port Harcourt, Nigeria, in 1979 and lives in Lagos. He is a winner of the 2005 BBC World Service short story competition, the recipient of a Chinua Achebe Center Fellowship, a Norman Mailer Center Fellowship, and a Rockefeller Foundation Bellagio Center Residency. His short story collection, Love is Power, or Something Like That, was published in 2013. In 2014 he was named on the Africa39 list of sub-Saharan African writers under 40. Blackass is his first novel.

A. Igoni Barrett

The short life of A.J.A. Symons (1900-41) was described by his biographer as an intricate and largely harmless confidence trick. His many interests included the collection of musical boxes and rare books as well as the study and practice of forgery; they left him time to edit an anthology of Edwardian verse and compose studies of H.M. Stanley and other notable figures. He is remembered for The Quest for Corvo, one of the most remarkable biographies ever written, and for co-founding the Wine and Food Society.

A. J. A. Symons

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Cecil Beaton

At the beginning of the Second World War the Ministry of Information, through the advice of Kenneth Clark, commissioned Cecil Beaton to photograph the Home Front. Beaton set to work recording the destruction of the Wren churches in the City and the heroism of Londoners under attack. He conducted a survey of Bomber and Fighter Commands for the RAF, which was published with Beaton's own astute commentary. Beaton was an effective propagandist, but his voice, like his photographs, was touchingly elegant. Whatever his subject, Beaton was always a stylist. 
 
Beaton's wartime work for the Ministry amounted to seven thousand photographs, which are now housed with their negatives at the Imperial War Museums. They form a great document both of the landscape of war and of the passing of the Empire. He travelled through the Western Desert and on to Iraq, Palestine, Transjordan and Syria. In 1943 he left for India where he photographed the final days of the Raj in New Delhi and Calcutta before joining the Burma campaign. He ended the war deep in Chinese territory where he witnessed the Nationalist resistance to the Japanese. 
 
Beaton's inherent sense of theatre extended from palatial drawing rooms to the jungle and the desert. Whatever the circumstances he never departed from his radical aesthetic. Theatre of War is published in conjunction with the Imperial War Museums on the occasion of a major exhibition.

Cecil Beaton: Theatre of War

A. S. Byatt

Portraits seem the opposite of fiction, fixed in time and space, not running with the curve of a story or a life. Yet since the birth of the novel, writers have been fascinated by portraits as icons, as motifs, as images of character and evocations of past time. A. S. Byatt delves into the complex relations between portraits and characters, and between portraits and novels as whole works of art. Her authors range from Henry James to Iris Murdoch, her artists from Holbein to Botticelli, Manet to the present day. She looks at the way writers use portraits to conjure up the past, as in Ford Madox Ford's The Fifth Queen and Virginia Woolf's Orlando. She explores their erotic use, the idea of painting as a sexual act, full of danger. And she examines the creation of fictional portrait painters by writers like Balzac and Zola, whose writing was closely linked, in different ways to the art of Cézanne. A portrait can defy the process of age but its very stillness can also seem like death. Art can be a murderer. And sometimes, as in Salman Rushdie's The Moor's Last Sigh, a portrait can itself become the victim of Gothic rage.

Portraits In Fiction

Mr Bingo

'Gorgeous and funny! Like a labrador doing stand-up' Noel Fielding 
 
The brainchild of a late night and one too many drinks, Hate Mail began with self-styled 'Master of Pens', Mr. Bingo, sending a single tweet off into the pipes of the internet. It read: 'I will send a postcard with an offensive message on to the first person who replies to this'. Then, the replies came in. 
 
Over 1000 abusive postcards later, Mr. Bingo has become the world's hate mailist par excellence, verbally and visually abusing people the world over, all eager to receive their own bespoke piece of personalised spite. 
 
Irreverent and insidiously inspired, Hate Mail: The Definitive Collection, is the ultimate celebration of Mr. Bingo's Hate Mail project.

Hate Mail

THE DEFINITIVE COLLECTION

Kit Caless

A brilliantly quirky and affectionate look at a British institution: Wetherspoon Pubs and their incredible carpets. 
 
 If you’ve ever been in a Wetherspoon's (and who hasn't), you’ve probably looked down and noticed the brilliantly-hued carpet beneath your feet. But that carpet isn’t just for disguising spilt drinks… Each Wetherspoon has a carpet that is unique and bespoke, with a design inspired by the history of the building, its locale or the name of the pub. 
 
Thanks to the hit blog 'Wetherspoon's Carpets' – which posed the important question 'are any two Wetherspoon carpets the same?’ – these tapestried hymns to British boozers have become a cultural sensation. Now, Kit Caless has travelled the length and breadth of the UK, from Berkshire to Renfrewshire, Bradford to Bridgend, to photograph over 70 splendid carpets from Wetherspoons and meet some of the pubs' regulars. Each entry appears in all its glorious colour, along with Caless's witty and informative text on the inspiration for each carpet's design, the history of the pub and key facts about the branch and its regulars. 
 
Will your Spoons be there?

Spoon's Carpets

An Appreciation

Sarah Thompson

With a foreword by Wayne Hemingway MBE and an introduction by Catherine Croft, director of the Twentieth Century Society, Style Council brings together an inspirational and eclectic selection of interiors from a generation of homeowners who are redefining the status of local-authority architecture. 
 
From covetable apartments in hip Brutalist high-rises to rural cottages with roses around the door, Style Council peeks behind the curtains of the often unappreciated former council home, into the lives of the creative and resourceful people who live there. The homes featured are unique, yet bound by an upcycling ethos, an innate sense of style and the triumph of dash over cash. 
 
Style Council is an essential sourcebook and a goody-bag of ideas for anyone wanting to do up their home – ex-council or not – in style. 
 
The book features 15 homes across the UK, with full-colour interior photography by Sarah Cuttle.

Style Council

Inspirational Interiors in Ex-Council Homes

Anthony Bailey

Vermeer has always been considered the most elusive of great artists, but this book tracks him down in his home town.  It takes the reader back to seventeenth-century Delft, in a piece of historical writing that does justice to its now timeless subject. Anthony Bailey makes use of the scholarly research that has accumulated in the last century, as well as recent findings, and then reaches beyond these facts to expose the hidden Vermeer.  The result is a vivid, convincing portrait of the Protestant innkeeper's son who married a prosperous Catholic girl and had 15 children of whom 11 survived.  Vermeer died relatively young and left fewer than 40 pictures. Many of these pictures are indeed masterpieces, and Anthony Bailey examines the scientific expertise which lies behind their calm mystery.  He introduces us to Vermeer's colleagues and fellow-citizens, and charts his celebrity as it slowly spread out of Holland and encompassed the world.  He examines Vermeer's effect on many creative and destructive people, including Proust and Hitler. A View of Delft is a highly original attempt to get at Vermeer's life and personality, by setting him imaginatively in the context of Delft, its culture and history.

A View Of Delft

Philippa Rice

Philippa Rice's relatable comic strips that prove true love isn't always about the big romantic gestures make the perfect gift this Valentine's day. 
 
 Sometimes it's about sympathising with someone whose tea has gone cold, watching TV and sharing a quilt, or allowing your partner to order take-away pizza again. When two people move in together, it soon becomes apparent that the little things mean an awful lot. The throwaway moments in life become meaningful when you spend them in the company of someone you love. 
 
 Soppy is Philippa Rice's collection of comics based on real-life moments with her boyfriend. From grocery shopping to silly arguments and snuggling in front of the television, Soppy captures the universal experience of sharing a life together. 
 
 'Intimate, sweet, and oh so relatable' Metro

Soppy

John D. Barrow

What can maths tell us about art and design? 
 
Professor John D. Barrow has all the answers. In 100 Essential Things You Didn't Know You Didn't Know About Maths and the Arts, he shows us that mathematics and the arts are not so far removed from each other. He takes us on a 100-step tour, guiding us through art forms as various as sculpture, literature, architecture and dance, and reveals what maths can tell us about the mysteries of the worlds of art and design. 
 
We find out why diamonds sparkle, how many words Shakespeare knew and why the shower is the best place to sing. We discover why an egg is egg-shaped, why Charles Dickens crusaded against maths and how a soprano can shatter a wine glass without touching it... 
 
 Enlivening the everyday with a new way of looking at the world, this book will enrich your understanding of the maths and art that surround us in our day-to-day lives.

100 Essential Things You Didn't Know You Didn't Know About Maths and the Arts

Derek Wilson

One of the greatest artists of the Renaissance, Hans Holbein the Younger was also a complex and fascinating man who knew Erasmus, Thomas More, Henry VIII and many of the sixteenth century's wielders of power and influence. He developed his own distinctive attitudes towards religion, politics and social life as he moved among stalwart burghers, merchant adventurers and the bejewelled denizens of a glittering court. 
 
The Elizabethan artist Nicolas Hilliard recognised him as 'the greatest Master in [portraiture] that ever was'. Yet the range of Holbein's talent went far beyond painting likenesses. He was constantly in demand for trompe-l'oeil murals and intricate jewellery designs, and he revolutionized book illustration. He produced Catholic altarpieces and Protestant propaganda engravings, woodcuts and drawings depicting the stories of the bible. 
 
In this fascinating biography, acclaimed historian Derek Wilson gives a fresh account of Holbein's motives and paintings, suggesting that they included coded signals and propaganda about political figures of the time. Hans Holbein: Portrait of an Unknown Man is a controversial reinterpretation which presents the artist as a man inextricably bound up in the stirring events of a creative and turbulent age.

Hans Holbein

Portrait of an Unknown Man

Geordie Greig

For ten years Geordie Greig was among a very small group of friends who regularly met Lucian Freud for breakfast at Clarke’s restaurant on Kensington Church Street. Over tea and the morning papers, Freud would recount stories of his past and discuss art. It was, in effect, Freud’s private salon. 
 
In this kaleidoscopic memoir, Greig remembers Freud’s stories: of death threats; escaping from Nazi Germany; falling out with his brother Clement; loathing his mother; painting David Hockney; sleeping with horses; escaping the Krays; painting the Queen; his controversial role as a father; and why Velázquez was the greatest painter. It is revelatory about his art, his lovers, his children, his enemies and his love of gambling. Freud dared never to do dull, speaking candidly of dancing with Garbo as well as painting Kate Moss naked. 
 
Those closest to him, after decades of silence and secrecy, have spoken frankly about what life was like living, loving or sitting for the greatest figurative portraitist of the twentieth century. Partly based on hours of taped conversations with the artist and his circle, and drawing on interviews with those who knew Freud intimately – including many girlfriends, models, dealers and bookmakers – Breakfast with Lucian is an intimate portrait of the artist as a young and old man. Illustrated with many unseen photographs of Freud, it is a uniquely fascinating, personal and authoritative account of one of the greatest British painters of this century and the last, and a profile of a man who makes everyone else's life seem less lived.

Breakfast with Lucian

Mark Kurlansky

The winner of the Glenfiddich Best Food Book Award leads is on a dazzling culinary tour around the world and through history - from the fifth century BC to the present day. 
 
Presented by subject - including 'Food and Sex', 'Bread', 'Rants' and 'Dessert' - and illustrated with Kurlansky's own pen-and-ink drawings as well as classic photographs, this wonderful collection, like the very best meal, is varied, delicious and uniquely satisfying.

Choice Cuts

a miscellany of food writing

Mary McCartney

Discover healthy and simple vegetarian recipes to tempt both vegetarians and meat-eaters alike. 
 
Fresh, inspirational and irresistible, Mary's first cookbook will enthuse readers to bring more meat-free cooking into their repertoires. From Fruit and Nut Granola to Asparagus Tart, Mexican Bean Tortilla to Coconut Rice Pudding, Mary gives us ideas for every meal, from breakfasts to Sunday roasts, and offers new twists on old classics like pancakes, and Shepherd's Pie using stories and photographs (past and present) to tell her life through food, Mary has created recipes for friends and family that are imaginative and creative. 
 
'McCartney's Food is an intimate peek into the family's kitchen table - the culmination of tried-and-tested recipes cooked by three generations of women' Telegraph Magazine 
 
'This is a jewel of a book - gorgeous recipes that beg to be eaten!' Sophie Dahl

Food

Vegetarian Home Cooking

Helen Langdon

Of all Italian painters, Caravaggio (c. 1565-1609) speaks most intensely to the modern world. His early works suggest a fascination with his own youth and sexuality and the trancience of love and beauty his later religious art speaks of violence, passion, solitude and death. Ugly, almost brutal-looking, Caravaggio was constantly embroiled in fights and entangled with the law; the prototype anti-social artist, he moved between the worlds of powerful patrons and the street life of boys and prostitutes. Helen Langdon uncovers his progress from childhood in plague-ridden Milan to wild success in Rome, and eventual exile and persecution in the South, and sets his work against the political, intellectual and spiritual movements of the day. Fully illustrated, her dramatic portrait shows Carravigio's life to be as sensational and enigmatic as his powerful and enduring art.

Caravaggio

Alexander Barabanov

Alexander Barabanov, a key figure in the Russian dance world, has sifted through many thousands of photographs of dance to accumulate an extraordinary collection of pictures, ranging from historical ballet photographs to shocking avant-garde imagery. 
 
This work has been collected and edited to form an astonishing sequence. Rather than being assembled as an anthology, the sequence has in fact been 'choreographed' so the book is constructed to form a dance in ten movements. It begins with creation myths, follows erotic engagements and leads to a series of mass movements in the modern age. It includes such gems as the young Nureyev's first performance with the Kirov and Baryshinikov's debut as well as images with brutal reference to Abu Ghraib or the march of fascism.

A Dance

Born in 1776 in East Anglia near the river Stour, John Constable was destined for his father's business of milling and grain-shipping. But he was obdurately opposed to this and persuaded his family he should become an artist instead. In the same determined spirit, he wooed Maria Bicknell in the teeth of opposition from her formidable grandfather, and persisted in painting landscapes at a time when history paintings and portraits were the fashion. 
 
Sometimes sharp and sarcastic, and often depressed, Constable in fact possessed a warm gift for intimate friendship. This is revealed in his letters to John Dunthorne, village handyman and housepainter, and to his best friend and patron, archdeacon John Fisher, to whom he wrote: 'I have a kingdom of my own, both fertile and populous - my landscape and my children'. 
 
In recent times, after a period of relative ignominy, Constable's influence on British landscape painting has been re-acknowledged, he has been more widely exhibited and his reputation has been reestablished as one of the masters of his genre. This important and absorbing biography explores his life and work, and highlights the dramatic tension between the two.

John Constable

A Kingdom of his Own

Jonathan Tulloch

Spring 2008. The art world is awash with money, and Piers Guest is getting his share. Celebrated art mogul, critic, impresario and 'adviser' with a client list ranging from the wealthiest of individual collectors to an international merchant bank, he is a bona fide member of the glitterati. Graced with his own beauty, he gallivants through London's galleries, cafés and hotels, playground for multi-millionaire artists, financiers and infidelity, while still enjoying a Chelsea mansion with his wife and daughter. Until a mysterious meeting about a newly discovered masterpiece begins a hunt that will lead him onto an altogether different terrain... 
 
1933. Under the shadow of the newly elected Nazi party, Helga and Ernst Mann bring a disabled child into the world. While her husband Ernst, a folklorist, drifts near the baleful influence of the Third Reich, Helga will stop at nothing to keep her child safe. 
 
1890. Vincent Van Gogh is living out his last few weeks in the village of Auvers-sur-Oise. Tormented by illness and regret, his only companions are the melancholy Dr Gachet, the ghosts of his own past, and the group of disturbed but engaging patients being treated by Gachet. Taking up his brush, he paints the picture that will draw so many disparate lives together. 
 
From the troubled genius of Vincent Van Gogh to the wartime birch forests of Ukraine, from the scintillating labyrinths of contemporary art and commerce to a mother's desperate journey across Germany into the teeth of the Red Army, Jonathan Tulloch's novel examines madness and creativity, love and destruction, the painting of a picture and the lust to own.

A Winding Road

John Batchelor

An entertaining account of an extraordinary cultural and historical event: - the establishment by one highly intelligent woman of a salon of the arts in a beautiful country house in Northumberland. Wallington Hall was remote from the major centres of artistic activity, such as London and Edinburgh. Yet Pauline Trevelyan single handedly made it the focus of High Victorian cultural life. Among those she attracted into her orbit were Ruskin, Swinburne, the Brownings, the Rossettis (Dante Gabriel, Christina and William Michael), Carlyle, and Millais and other members of the Pre-Raphaelite Brotherhood. 
The penniless but clever daughter of a clergyman, Pauline Jermyn married an older man whom she met through a shared passion for geology. Sir Walter Trevelyan was a philanthropist, teetotal, vegetarian, pacificist ... and very rich. With his encouragement, she collected works of art and decorated Wallington Hall with a cycle of vast paintings on the history of Northumberland. She was a patron of the arts who provided a fostering environment for many of the geniuses of her day. After her death, Swinburne wept every time her name was mentioned.

Lady Trevelyan and the Pre-Raphaelite Brotherhood

Simon Inglis

Simon Inglis is a fan with a mission. Fed up with being labelled an anorak, yet repeatedly led astray by the glimpse of a grandstand accross a crowded city, he searches the world for a deeper meaning behind his fascination with stadiums. 
 
What is it, he asks en route from ancient Olympia to Sydney 2000, about men and neatly-edged turf? Why are there more football grounds in Buenos Aires than public libraries? Why do Auckland residents resent their local stadium while those in Chicago celebrate theirs? And what can we learn from the Indians, the Irish and a huckster from Huston? 
 
The perfect companion volume to his bestselling books on football grounds, Sightlines is full of insight, wit, anecdotes and characters from a world beyond that every sports fan will recognise. It is proof that he is not alone.

Sightlines

A Stadium Odyssey

Edmund de Waal

The definitive illustrated edition of the international bestseller with gorgeous new photography of the celebrated netsuke collection, and sumptuous full-colour images hand-picked by Edmund de Waal from his family archive 
 
264 Japanese wood and ivory carvings, none of them bigger than a matchbox: Edmund de Waal was entranced when he first encountered the collection in his great-uncle Iggie's Tokyo apartment. When he later inherited the 'netsuke', they unlocked a story far larger and more dramatic than he could ever have imagined. From a burgeoning empire in Odessa to fin de siècle Paris, from occupied Vienna to post-war Tokyo, Edmund de Waal traces the netsuke's journey through generations of his remarkable family against the backdrop of a tumultuous century. 
 
This new enhanced ebook is bursting with extra content exclusive to this edition. There are five videos including one of Edmund de Waal discussing the netsuke collection, another of the Paris opera house much frequented by Charles Ephrussi, and a third takes a visit to the sumptuous Palais Ephrussi in Vienna. There is music from Vienna and Tokyo to listen to as you read, a new essay from the author about this illustrated edition, and the full album of Secessionist watercolours painted especially for the family. There is a very moving recording of Edmund de Waal reading the final chapter and lastly, there are the netsuke themselves. Individually animated and intimately displayed, this edition allows each netsuke comes to life, as if you were holding it in the palm of your hand.

The Hare With Amber Eyes

The Illustrated Edition

Paul Strathern

By the end of the fifteenth century, Florence was well established as the home of the Renaissance. As generous patrons to the likes of Botticelli and Michelangelo, the ruling Medici embodied the progressive humanist spirit of the age, and in Lorenzo the Magnificent they possessed a diplomat capable of guarding the militarily weak city in a climate of constantly shifting allegiances between the major Italian powers. 
 
However, in the form of Savonarola, an unprepossessing provincial monk, Lorenzo found his nemesis. Filled with Old Testament fury and prophecies of doom, Savonarola's sermons reverberated among a disenfranchised population, who preferred medieval Biblical certainties to the philosophical interrogations and intoxicating surface glitter of the Renaissance. Savonarola's aim was to establish a 'City of God' for his followers, a new kind of democratic state, the likes of which the world had never seen before.The battle which this provoked would be a fight to the death, a series of sensational events - invasions, trials by fire, the 'Bonfire of the Vanities', terrible executions and mysterious deaths - featuring a cast of the most important and charismatic Renaissance figures. 
 
This famous struggle has often been portrayed as a simple clash of wills between a benign ruler and religious fanatic, between secular pluralism and repressive extremism. However, in an exhilaratingly rich and deeply researched story, Paul Strathern reveals the paradoxes, self-doubts and political compromises which made the battle for the soul of the Renaissance city one of the most complex and important moments in Western history.

Death in Florence

the Medici, Savonarola and the Battle for the Soul of the Renaissance City

Jean-Paul Kauffmann

Near the end of his life, the great Romantic artist Eug-ne Delacroix (1798-1863) painted one of the most enigmatic episodes from the Bible: Jacob wrestling with the angel. This painting, which decorates the wall of the Chapel of the Holy Angels in the Paris church of Saint-Sulpice, is Delacroix's "spiritual testament". But Sain-Sulpice is a mysterious church where everything happens behind the scenes. A fan of Inspector Maigret, Jean-Paul Kauffmann investigates the painting and the church, paying particular attention to its hidden history. He searches for clues in a bar in Dieppe, a castle in Quercy, a village in the Argonne, an oak tree in the forest at S-nart, even a golf course in the Loiret. The trail leads him to an art critic, a lecturer at the Louvre, and a sculptor who has a studio in the attic of Saint-Sulpice itself. All these intertwining threads finally come together in a central motif in which Kauffmann himself is involved. There comes a time in which everyone must wrestle with the angel.

Wrestling With The Angel

Valerie Lester

'Phiz' - Hablot Knight Browne - was the great illustrator of Dickens' fiction. For over twenty-three years they worked together, and Phiz's drawings brought to life a galaxy of much-loved characters, from Mr Pickwick, Nicholas Nickleby and Mr Micawber, to Little Nell and David Copperfield. But, from the mystery of his birth onwards, Phiz himself led a life as rich as any novel. 
 
In this vivid, lively memoir - the first full biography, long-awaited by Victorian scholars - his great-great-granddaughter Valerie Browne Lester tracks the struggles of the abandoned Browne family and follows Phiz's path to marriage and fame, his travels around England and Ireland and work with Dickens, Lever, Trollope and others, and his colourful private life. 
 
Based on a mass of unpublished material, this enchanting book, packed with surprising and delicious illustrations, is a perfect present for all who love Dickens and enjoy the hidden byways of Victorian life.

Phiz

The Man Who Drew Dickens

Roberto Calasso

The eighteenth-century Venetian painter Giambattista Tiepolo spent his life executing commissions in churches, palaces, and villas, often covering vast ceilings like those at the Würzburg Residenz in Germany and the Royal Palace in Madrid with frescoes that are among the glories of Western art. The life of an epoch swirled around him - but though his contemporaries appreciated and admired him, they failed to understand him. 
 
Few have even attempted to tackle Tiepolo's series of thirty-three bizarre and haunting etchings, the Capricci and the Scherzi, but Roberto Calasso rises to the challenge, interpreting these etchings as chapters in a dark narrative that contains the secret of Tiepolo's art. Blooming ephebes, female satyrs, Oriental sages, owls, snakes: we will find them all, including Punchinello and Death, within the pages of this book, along with Venus, Time, Moses, numerous angels, Cleopatra and Beatrice of Burgundy - a motley, gypsyish company always on the go. 
 
Calasso makes clear that Tiepolo was more than a dazzling intermezzo in the history of painting. Rather, he represented a particular way of meeting the challenge of form: endowed with a fluid, seemingly effortless style, Tiepolo was the last incarnation of that peculiar Italian virtue sprezzatura, the art of not seeming artful.

Tiepolo Pink

Angelica Goodden

A word was coined to describe the condition of people stricken with a new kind of fever when the Swiss-born artist Angelica Kauffman (1741-1807) came to London in 1766. 'The whole world', it was said, 'is Angelicamad.' 
 
One of the most successful women artists in history - a painter who possessed what her friend Goethe called an 'unbelievable' and 'massive' talent - Kauffman became the toast of Georgian England, captivating society with her portraits, mythological scenes and decorative compositions. She knew and painted poets, novelists and playwrights, collaborating with them and illustrating their work; her designs adorned the houses of the Grand Tourists she had met and painted in Italy; actors, statesmen, philosophers, kings and queen sat to her; and she was the force that launched a thousand engravings. Despite rumours of relationships with other artists (including Sir Joshua Reynolds), and an apparently bigamous and annulled first marriage to a pseudo Count, Kauffman was adopted by royalty in England and abroad as a model of social and artistic decorum. 
 
A profoundly learned artist, but one who is loved, above all, for her tender adaptations from classical antiquity and sentimental literature; a commercially successful celebrity yet also a founding member of The Royal Academy of arts; the virginal creator of sexually ambivalent beings who was one of the hardest-headed businesswomen of her age, Kauffman's life and work is full of apparent contradictions explored in this first biography in over 80 years.

Miss Angel

The Art and World of Angelica Kauffman, Eighteenth-Century Icon

Paul O'Keeffe

* Haydon's first attempt at suicide ended when the low calibre bullet fired from his pistol fractured his skull but failed to penetrate his brain. 
* His second attempt also failed: a deep slash across his throat left a large pool of blood at the entrance to his studio, but he was still able to reach his easel on the opposite side of the room. 
*Only his third attempt, another cut to the throat which sprayed blood across his unfinished canvas, was successful. He died face-down before the bespattered 'Alfred and the First British Jury', his final bid 'to improve the taste of the English people' through the High Art of historical painting. 
* Such intensity, struggle and near-comic inability to succeed encapsulate Haydon's career. Thirty years before his death his huge, iconic paintings had made him the toast of early 19th-century London, drawing paying crowds to the Egyptian Hall in Piccadilly for months and leading to nationwide tours. 
* However, his attempt to repeat such success three months before his death was to destroy him: barely a soul turned up, leaving the desperate painter alone, humiliated, and facing financial ruin. 
* In A Genius for Failure Paul O'Keeffe makes clear that the real tragedy of Haydon lay in the extent to which his failures were unwittingly engineered by his own actions - his refusal to resort to the painting of fashionable portraits, for example, and his self-destructively acrimonious relationship with the RA. 
* The company he kept - Keats, Shelley, Wordsworth, Sir Robert Peel and the Duke of Wellington, among many others - and the momentous events he lived through - The Battle of Waterloo, the Coronation of George IV, and the passing of the first Parliamentary Reform Bill - make A Genius for Failure not only the definitive biography of this fascinating and tragic painter, but a stirring portrayal of an age.

A Genius for Failure

The Life of Benjamin Robert Haydon

Sue Roe

In 1942, at the height of his fame, Augustus John predicted that 'fifty years from now I shall be known as the brother of Gwen John'. Gwen John (1876 - 1939) is indeed now recognised as a great artistic innovator, yet for years her life remained shrouded in the myth of the solitary recluse. Born in Pembrokeshire, Gwen followed her brother to the Slade. Her future was bound up with Augustus, his women and his coteries, yet she was also daring and highly original, living determinedly in her own way. Defiant yet shy, she painted and modelled amid the Bohemian circles of early twentieth-century Paris and embarked on a long, intense love affair with France's most legendary artistic figure, the sculptor Rodin. A friend of Symbolist poets and post-Impressionist painters, later she turned increasingly to religion, achieving a deep serenity which masked her inner turbulence, creating her haunting paintings - delicate, austere, restrained and still. Based on her lively and passionate unpublished letters and copiously illustrated, this vivid new biography challenges our prejudices about the ways we evaluate women artists and finally uncovers the life of this ardent and complicated personality, one of the finest artists of her day. 
 
Important Notice: The digital edition of this book is missing some of the images or content found in the physical edition.

Gwen John

Russell Miller

This book is a biography of Magnum, told largely in the words of its photographers. It offers a unique perspective on half a century of world history from an extraordinary group of men and women who were front line witnesses at virtually every major event in the last fifty years. Wars, famines, natural disasters, social, political and environmental crises - Magnum photographers were there. They have been acute observers of the human condition, photographing the richest people in the world, the poorest, the least known and the most celebrated, from Marilyn Monroe to Che Guevara, JFK to Nelson Mandela, Picasso to Krushchev. This is a multi-layered story. At one level, it tells how a small group of photographrs - among them Robert Capa, Henri Cartier-Bresson and George Rodger - came together, established and nurtured a co-operative photographic agency that has survived against all the odds to become the most famous in the world. At a secondary level, it is the richly anecdotal story of the photographers themselves, their adventures around the world and their feelings about, and reactions to, their assignments.

Magnum

Fifty Years at the Front Line of History

Carola Hicks

Each year more than 250,000 people visit the Chapel of King's College, Cambridge, one of Europe's best-known buildings. This book tells the untold story of the Chapel's crowning glory, its stained glass windows, and of the people who created them - the triumphant culmination of a project completed despite wars, the death of kings and violent religious conflict. 
 
The glass symbolises the power of the Tudors, and is a mirror of their souls. Planned by Henry VII and continued by Henry VIII, the windows are dynastic propaganda, simultaneously blatant and subtle. The windows show how Henry commemorated his wives in art, then airbrushed them out when they fell from favour, and how he recruited leading artists to make this England's response to the Sistine Chapel. 
 
The great 'King's Glass' also flaunts the skills of its makers, many of them innovative immigrants. It is a tale of guilds and artisans as well as of the court. It is, too, a history of England, reflecting change, conflict and modernity in the sixteenth century.

The King's Glass

A Story of Tudor Power and Secret Art

The year is 1Q84. This is the real world, there is no doubt about that. But in this world, there are two moons in the sky. Discover the 1Q84 Trilogy by Haruki Murakami.

1Q84

365 Days of Art

A BBC Christmas

A Black Book Thriller

A Box Full of Murders

A Cal Leandros Novel

A Christmas Mystery

The intelligent and capable police commissioner Guido Brunetti confronts crime in and around his home town of Venice.

A Commissario Brunetti Mystery

A DC Smith / Kings Lake Investigation Series

A Daisy Story

Chronicling the lives of over three hundred characters, unrivalled for its scope and humour, this is a unique evocation of life in twentieth-century England.

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